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Rarely does a shy person encounter such ignorance -
what is ongoing: among talented specialists loudly.
Because: besides the flash career of web writer: I reaped
even a few ephemeral achievements as a digital artist (for
some time: I even acted as a friendly face on Facebook:
but: about that at some other time :) I have experiences
from the first hot contact.
These capable men and women: with a refined
perception: several times: they gave me: considerable and
philosophical pleasure: from the truth - which they just
got from the Lord: or: from a toilsome study of them
beloved section: or: possibly: from each other in
enthusiastic exchanges: but: no power of the world: will
never force them: to even a fleeting study of something
outside of their narrow interest.
Moreover: this intellectual my-centric racism
manifests itself externallly (only in closed privacy) also
by arrogant disrespect: spicey smiles and a talkative
smirks: when: only marginally: it is mentioning these
ridiculous areas of also-world: and also-art:
Surprisingly then: when such a skilfuler: one day:
will feel the need to explain his authentic tensions: in
his proudly sovereign work: he sees himself immediately:
as a lover of all true artistic beauty: and: promptly
reaches for disgusting: hundreds times chewed phrases:
such as: looking for my own answers to the existential
question: that I ask God and society .. in relation to
reality .. based on the emphasis: I put on symbolic value
... especially the painters are very cute in this: as
they're gluing together pieces of a lukewarm art-historian
shit .. but especially existential attitudes: it is very
necessary to mention: poor unhappy Sartre: would only
gaze stupidly: where everywhere is he sprayed on the
walls.
The same is true of the most shallow genre: of the
abominable rubbish - which a trusting eye can touch - in a
so-called short medallion portrait. Thanks to that: a
naive purchasing-capable person: will find out: how our
artist: poet: novelist or painter: is confronted with
life in society: and: how he copes with problems of his
own unnecessary poetics.
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